Thursday, 20 October 2016

Long Island Sibling Duo "The Lemon Twigs" Release One of the Strongest Debut Albums of 2016: Review.

Michael and Brian D’Addario have been relatively unknown for some time, especially on this side of the Atlantic, but their vintage sound is starting to earn them quite the reputation the world over (and it couldn’t be more well deserved). They’re only 19 and 17 years old, but they play music as if they’ve had about half a century of experience and practice. Every song on the album wouldn’t sound out of place if it had been released around 40 years ago, yet somehow it feels like a huge breath of fresh air, with some people firmly believing they’re the future of rock and roll. This doesn’t sound too far-fetched when you consider the fact that they haven’t even been releasing music for a year and they’ve already played “The Tonight Show”. The band make no secret of their influences and idols, they’re massive fans of The Beach Boys and Brian Wilson amoungst others, something which immediately puts them in my good books.


“Do Hollywood” is the duo’s debut album, a follow up to a two track EP they released earlier this year. The opening track “I Wanna Prove to You” immediately gives any unsuspecting listener a feel for the band’s quirky style, it has every component required to make a classic rock and roll ballad. This is immediately contrasted by the second track “Those Days Is Coming Soon”, the intro sounds like a something you’d expect to hear at a fairground, but the guitar in the chorus somehow has a garage rock sound to it, before being followed up by a breakdown and outro with drumming that wouldn’t sound out of place on “Sgt Peppers”.

It is worth mentioning that both members are incredibly talented multi-instrumentalists, Brian plays guitar, bass, drums, keyboards, horns and strings but also dabbles with the trumpet and the overdub, Michael is skilled on guitar, drums, keys and bass and all of this genuine talent really shines through. They recorded the album in Foxygen front-man Jonathan Rado’s living room and gave him the reins in regards to the production, giving it an unadulterated and untampered feel. Lyrically their songs follow relatively standard themes of heartbreak and the general feelings and struggles of a teenage boy but musically is it incredibly refined and mature, it very rarely follows regular progression and arrangements. It is so far from the standard angry teen with a guitar music that I find their age both almost implausible and extremely impressive.

In an interview with The Guardian prior to the release of the album Michael was questioned about the clear influence of Burt Bacharach, an orchestral pop composer and singer who was extremely prominent from the 50s through the 80s, Michael said “It’s just what we do, not that we’re trying to be sophisticated for its own sake. Like, Burt Bacharach’s stuff is amazing and has a lot of things going on that make it difficult to figure out. But we didn’t want to do it in a proggy way. We just wanted to make it pretty.”

Other stand out tracks on the album include “These Words”, perhaps the song where The Beach Boys’ influence shines through the most. Starting off with a captivating drum and synth intro it mellows out and drops down to having an almost melancholy feel, but by the end the track has evolved into something much more powerful, with one of the most memorable vocal performances on the album. The drumming throughout this particular track is one of the main things that stuck in my memory after just one listen, and is a performance which Tame Impala’s Kevin Parker would be envious of. The final track on the Album “A Great Snake” is also the longest, at just short of seven minutes long it allows the band to cement their musical ability in the mind of the listener one last time It has a more low-fi sound than the majority of the other tracks, and a guitar segment at around the three-and-a-half-minute mark that wouldn’t sound out of place if it was being played in a stadium. The album doesn’t really have high and low points, the constantly shifting tone of the album is enough to keep any listener interested throughout the whole length of the album and then some.


They’re probably going to divide opinion but you can look at them one of two ways, you could see them as a band that are simply imitating the music of better days, or you could see them for what they are, a couple of insanely talented musicians who have produced one of the strongest debut albums of the last few years.

Words: Liam Navey.

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